Monday 6 March 2017

Jean-Auguste-Dominique Ingres – part 6

1835 Self-Portrait
crayon on paper
Musée du Louvre, Paris

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy.

For a full biography see part 1. For earlier works see parts 1 - 5 also.

This is part 6 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres:



1831-34c Madame Edmond Cavé ( Marie-Élisabeth Blavot, born 1810 )
oil on canvas 40.6 x 32.7 cm
Metropolitan Museum of Art, New York

1832-34 The Dream of Ossian
graphite, watercolour, white gouache and brown ink on white wove paper 24.7 x 18.7 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1834 Blessing Christ
oil on canvas 80 x 66 cm

1834 Etienne ( ? ) Gonin
graphite and white chalk on white wove paper 24.2 x 18.6 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1834 Madame Louis-Francois Bertin
graphite on paper 23.5 x 30.5 cm

1834 Madame Thiers
graphite 31.9 x 23.9 cm
Allen Memorial Art Museum, Oberlin, Ohio

1834 The Lawyer Paul Grand
graphite on wove paper 34.3 x 26 cm
Metropolitan Museum of Art, New York City


1834 The Martyrdom of Saint Symphorian
oil on canvas
Autun Cathedral, France


The Martyrdom of Saint Symphorian

Ingres here depicts Saint Symphorien, a Roman Christian of the second or third century, being led to his execution for his contempt of a pagan image. Symphorien's mother shouts encouragement to him from the city wall. In the fifth century, a church in honour of Symphorien was built at Autun, France, the scene of his martyrdom. In 1834, Ingres completed a monumental altarpiece of the subject for the cathedral at Autun, and some thirty years later he painted this small-scale replica:

1865 The Martyrdom of Saint Symphorien
oil on canvas 36.7 x 31.6 cm
Philadelphia Museum of Art, PA

1858 The Martyrdom of St. Symphorien
graphite, grey wash and white gouache on white laid paper 47.9 x 40.5 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1824-33 Studies for "The Martyrdom of Saint Symphorien"
oil over graphite and red chalk on canvas laid on wood panel 60 x 47.6 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1824-33 Studies for "The Martyrdom of Saint Symphorien"
oil over graphite on canvas 60.3 x 49.5 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1824-34 Study For The Martyrdom of St. Symphorien
oil on canvas

1827-34c Studies of Legs, Hands, and the Profile of a Head for the Martyrdom of St. Symphorien
black chalk and graphite on paper 45.8 x 30.5 cm
The Morgan Library and Museum, New York City

1826-34 Study for "The Martyrdom of St. Symphorien" ( The Stone Thrower )
graphite and black and red chalk on off-white wove paper
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1835 Mademoiselle Louise Vernet 

1836 Alexis Rene Le Go
graphite on paper Private Collection

1836 Madame Baltard And Her Daughter, Paule
graphite on paper

1836 The Architect Charles-Victor Famin
graphite on wove paper 22.3 x 17.7 cm
Metropolitan Museum of Art, New York City

1837 Victor Baltard
graphite on brown paper 32.8 x 25.1 cm

1839 Odalisque with Female Slave
oil on canvas 72.4 x 100.3 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1839 Odalisque with Slave
graphite, black and white chalk. white gouache. grey and brown wash on cream wove paper 33.5 x 46.2 cm
The Morgan Library and Museum, New York

1858 Odalisque with Slave
graphite, pen, sepia ink, brown wash, heightened with white on tracing paper 34.5 x 47.5 cm
Musée du Louvre, Paris

1840 Antiochus And Stratonice
oil on canvas
Musée Condé, Chantilly, France

1834-40 Study for the Figure of Stratonice
graphite, black chalk and rubbed charcoal 49.4 c 32 cm
Metropolitan Museum of Art, New York City

1840 Madame Hippolyte Flandrin, Born Aimée Caroline Ancelot

1840c The Virgin with the Sleeping Infant Jesus ( study )
oil on canvas 119.4 x 86.3 cm
Private Collection

1841 Antoine Thomeguex
graphite on paper
Private Collection

1841 Charles Gounod
graphite on ivory wove paper 29.9 x 23.3 cm
Art Institute of Chicago, IL

1841 Luigi Cherubini
oil on canvas 81.3 x 71.1 cm
Cincinatti Art Museum, Ohio

1841 Madame Jean Auguste Dominique Ingres, née Madeleine Chapelle
Private Collection

1842 Armand Bertin
graphite on wove paper 31.2 x 22.8 cm
Metropolitan Museum of Art, New York

1843 Madame Armand Bertin, née Marie-Anne-Cécile Dollfuss
graphite on wove paper 34.2 x 26 cm
Metropolitan Museum of Art, New York

1842 Duke Ferdinand-Philippe of Orleans, as St. Ferdinand of Castile
oil over chalk on canvas 210 x 92 cm
Musée du Louvre, Paris

1842 Ferdinand-Philippe Louis-Charles-Henri de Bourbon-Orléans, Duke of Orléans
oil on canvas 158 x 122 cm
Musée du Louvre, Paris

1844 Duke Ferdinand-Philippe of Orleans
oil on canvas 218 x 131 cm
Château de Versailles, France

1842 The Duc d'Orleans
oil on canvas 54.3 x 45.1 cm
Dublin City Art Gallery, Ireland

1842 Luigi Cherubini and the Muse of Lyric Poetry
oil on canvas 105 x 94 cm
Musée du Louvre, Paris

1842 Odalisque with Slave
oil on canvas 76 x 105 cm
Walters Art Gallery, Baltimore, MD

1842c The Archangel Raphael
( Study for a stained-glass window in the chapel of Notre-Dame de la Compassion-Saint-Ferdinand, Neuilly )
graphite 38.5 x 14.9 cm
Metropolitan Museum of Art, New York

1843 Moliere
lithograph 26 x 20 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1844 Edmond Cavé ( 1794–1852 )
oil on canvas 40.6 x 32.7 cm
Metropolitan Museum of Art, New York

1845 Madame Othenin d'Haussonville
oil on canvas 131.8 x 92 cm
Frick Collection, New York City

1842-45 Study for the Portrait of Madame Othenin d'Haussonville
black chalk on white wove paper 35.9 x 20.4 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1842-45 Study for the Portrait of Madame Othenin d'Haussonville
graphite on white wove paper 23.4 x 19.6 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

Friday 3 March 2017

Jean-Auguste-Dominique Ingres – part 5

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy.

For a full biography see part 1. For earlier works see parts 1 - 4 also.

This is part 5 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres:



1823 Count Rodolphe Apponyi
graphite and white chalk on off-white wove paper 45.3 x 34.6 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1823 Countess Antoine Apponyi
graphite and white chalk on off-white wove paper 45 x 34.9 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1823 Jacques-Louis Leblanc ( 1774–1846 )
oil on canvas 121 x 95.6 cm
Metropolitan Museum of Art, New York City

1823 Jacques-Louis Leblanc

1823 Madame Jacques-Louis Leblanc ( Françoise Poncelle, 1788–1839 )
oil on canvas 119.4 x 92.7 cm
Metropolitan Museum of Art, New York

1823-26 Amédée-David, the Comte de Pastoret
oil on canvas 103 x 83.5 cm
Art Institute of Chicago, IL


1821 Drapery Study for the Madonna in "The Vow of Louis XIII"
graphite and black chalk over stylus lines on cream wove paper 39 x 19.4 cm
Fogg Art Museum, Harvard Art Museums, Cambridge, MA

1824 The Vow of Louis XIII
oil on canvas 421 x 262 cm
Cathédrale Notre-Dame de Montauban, France

1825 Adolphe-Marcellin Defresne
graphite on paper 42.8 x 29.2 cm
The Morgan Library and Museum, New York City

1825 Les Quatres magistrats de Besancon
lithograph 19.7 x 20 cm
de Young / Legion of Honor Fine Arts Museums of San Francisco, CA

1825 Odalisque
lithograph
National Gallery of Art, Washington, DC

1825-50 Venus Anadyomène
oil on canvas 31.5 x 20 cm
Musée du Louvre, Paris

1825c Pierre Alexandre Tardieu
graphite on cream wove paper 24.2 x 18.6 cm
Art Institute of Chicago, IL

1826 Dr. Louis Martinet
graphite on wove paper
National Gallery of Art, Washington, DC

1826 Madame Marie Marcotte ( Marcotte de Sainte-Marie )
oil on cardboard 93 x 74 cm
Musée du Louvre, Paris

1826 Mme Adolphe-Marcellin Defresne, née Sophie Leroy
graphite on paper 43.6 x 30.5 cm
The Morgan Library and Museum, New York City


1827 The Apotheosis of Homer
oil on canvas 386 x 515 cm
Musée du Louvre, Paris

1827 Head of Boileau. Study for The Apotheosis of Homer
21 x 26.5 cm
Musée Ingres, Montauban, France

1827c Study for the figure of Phidias in The Apotheosis of Homer
graphite and bodycolour on buff paper 39.8 x 21.3 cm
The Fitzwilliam Museum, Cambridge, UK

1827 Study for Phidias in The Apotheosis of Homer
oil on canvas laid down on panel 32.4 x 35.6 cm
The San Diego Museum of Art, CA

1827c Studies for The Apotheosis of Homer

1827c Studies of Drapery for the figure of Virgil in The Apotheosis of Homer
 graphite, black and white chalk on tan wove paper 39.3 x 27.3 cm
Fogg Museums, Harvard Art Museums, Cambridge, MA

1827c Study for the Apotheosis of Homer

1827c Study for the Apotheosis of Homer

1827c Study for the Apotheosis of Homer

1827c Study for the Figure of the Iliad in The Apotheosis of Homer
 graphite and black chalk heightened with white chalk on brown paper 

31.4 x 27 cm
Metropolitan Museum of Art, New York

1827c Study for the Drapery of Molière in The Apotheosis of Homer
 black chalk with stumping 30.3 x 24.9 cm
Metropolitan Museum of Art, New York City

1827 Charles X Distributing Awards at the Salon of 1824
oil on cardboard 173 x 256 cm
Musée du Louvre, Paris

1827 The Martyrdom of St Symphorian ( study )
oil on canvas 35 x 30 cm
Private Collection

1827 The Virgin of the Blue Veil
oil on canvas 77 x 65 cm
São Paulo, Brazil

1827 Ulysess
oil on canvas mounted on wood  25.1 x 19.2 cm
National Gallery of Art, Washington, DC

1828 Mme. Balze
graphite on tracing paper 28 x 21.2 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1828c Charles X in his Coronation Robes
watercolour over graphite on ivory laid paper 26.1 x 19.9 cm
Art Institute of Chicago, IL

1828c The Forestier Family
graphite and white chalk on tracing paper 30 x 37.2 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1829 Luigi Calamatta

1829 Madame Louis-Francois Godinot
graphite 21.9 x 16.5 cm
Private Collection

1829 Pierre Marie François De Sales Baillot

1829-30 Charles X inn his Coronation Robes
oil on canvas 129 x 90 cm
Musée Bonnat, Bayonne, France

1830-62 Hope and Charity ( after Raphael )
graphite and grey wash on paper 35.2 x 3.2 cm
The Wallace Collection, London

1830-67c Pindar and Ictinus
oil on canvas mounted on panel 34.9 x 27.9 cm
The National Gallery, London

1832 Louis-François Bertin
oil on canvas 116 x 96 cm
Musée du Louvre, Paris

1832c Study for the Portrait of Louis-François Bertin
graphite and black chalk 34.9 x 34.5 cm
Metropolitan Museum of Art, New York